East, in this context, resembles the Japanimation یا عملی حکمت for short while the west... I don’t know, cartoon maybe. In the East, we have improper but interesting manuscripts: in the form of “manga” and their final projection, another fine specimen of art, being anime. While we have a method to pick out unfit story for final publishing in the East as the manga system, we have nothing in the Western side. In this side, we have to come up with a good story, add proper proportion of action, drama, and romance if needed, and make it a full-fledged اندازی حرکت show. As compared to East, West stories surely do contain less pornography. But in East, we see too much of it due to the basic rule we have in the Eastern publishing: manga is just the manuscript, an original and real thing, while عملی حکمت adaptation is a mark that “yes, it’s indeed a good story.” So, in manga یا in the first stage, آپ can add any amount of the stuff manually, because the test is still pending, the test of some good network finding out about your epicness and giving آپ a contract of adapting your story into an anime, so آپ can write again and again, whenever آپ come up with an idea of something آپ think might become a hit. We see very disappointing figures in regard to this in the Western side.

In the West, the majority of such stuff is having a story, some TV airing company buying it and then it being aired on a TV channel, the old-but-sturdy system. Many people still would call that a simple cartoon, no matter how maturity it has, it’s just plain figures and drawings tied up سے طرف کی اندازی حرکت and clear sound. But the case is different in East. Here, عملی حکمت is a story. Someone writes the story in a temporary notebook یا something, an artist makes the arts with captions and that’s all! Even artist isn't needed when an artist himself is thinking of a story. No need of TV and the story is famous as a manga. And seeing the popularity, some Japanese company buys the copyright and they have an عملی حکمت to present.

Major contributors towards entertainment animations (cartoons, anime, and everything which has to do with being watched and is not live-action, though اندازی حرکت فلمیں are a totally different thing) are دیا سے طرف کی Canada in the West. Canada is big, very big, as compared to Japan, a group of islands. In the category of entertainment animations, we include anime; cartoon shows; فلمیں based on these two, etc. which are commonly considered as stuffs of kids, which these certainly are NOT. Well, that’s nothing آپ یا I can change, the mindset changes as the generations change. Indeed there are stories some adult would understand مزید than us and something complicated that some police inspector would find مزید interesting than us. Not getting off of the topic: it’s not being implied that Western system of entertainment اندازی حرکت (entertanimation for short, آپ can say) is totally old. We see Marvel still giving a force to its superheroes, which were on peak once and the system, is not old at all. Marvel was a comic company. Everyone must know of Marvel Comics unless you’re in the East side... Comics, we can say, are Western counterparts for manga. But things are different, comics are colourful, glazing, less-on-text and more-on-pictures kind of luxury prints while manga are black & white bulky, supernatural, and fully stuffed materials. آپ think of something cool in East: آپ can write a manga. You’ve an idea on superheroes in the West: “Hell with it baby, we’ve many superheroes already” and it’s true. آپ can’t count how many supernatural heroes are there in manga; actually the term “supernatural” simply doesn’t exist there. Realms of God, eras ahead of today, set in the modern world یا in a fantasy kingdom of death; manga has everything آپ can ever come up with.
The basic formula for a hit manga: supernatural striking powers. Though it seems that this formula is soon fading سے طرف کی the emergence of new public, the intellectual people and not the “otakus” who just use a few Japanese words in their language and think they’re acting cool. (Seriously, that is NOT cool. It’s the Jockey formula: everything یا nothing. If آپ think آپ know it, go spend a few years in Japan but if no, then just shut the fu*k up. You’ll see that the knowledge, my dear otaku, آپ comprise of, is nothing but a single one percent, even that grammatically wrong when compared to the Japanese literature.) The arrival of new public, as I was saying, marks a very ideal time in the story-writing. Stories like One Piece, Fairy Tail, Naruto, Fullmetal Alchemist, Bleach and DragonBall have always been on peak, but now we see new arrivals. Intellectual materials like Monster and other such realistic complicated یا thriller stories are now emerging and being مقبول over others. Well, there were still stories semi-realistic like Inazuma Eleven یا Death Note from the beginning and still, they سب, سب سے اوپر charts and are still in our remembrance, like High School of the Dead (a bit too high on pornography though).
Talking about West now, which leaves us no material to discuss upon due to its being still empty, we arrive on the conclusion that West is still backward in entertanimation. No one is being blamed here. Another aspect یا effect of the mass entertanimation movement throughout the world (I don’t know about African عملی حکمت and Antarctical too. Hell, I don’t even know what they call the things of Antarctica, Antarctican is underlined as red...) is that the cultures are messing up. Here, take the real literary meaning of the word “mess”. Japanese words and culture are speedily mixing with each other, leading to a cool culture, composed of intellectual people, losers, otakus, chattering and babbling godmodders, “sugoi” and “kawaii” people and other genius people who constantly give up great ideas as manga and then anime, if they compete in the race of addictive stories. This doesn’t means that I’m being hypothetical, I’m just saying that learning words from another language is very good, but the unnatural use can always be seen odd and make آپ a faggot.

DEFINING IDEA:
“... improper but interesting...” Here, improper doesn’t resemble something illegal. It just means that the stuffs are a bit not in order. Like take the case of One Piece. In it, the mangaka didn’t know what to think of and how make up the rest of story in the middle of nowhere. Then the idea of just adding مزید muscle opponents and epic villains can do it perfectly, worked very indeed well and made it a superstar manga, superstar anime, and a superstar thing.